Photography Archive

Belgian journalist named travel photographer of the year

The winner of the British-based Travel Photographer of the Year competition, which attracts entries from professional and amateur photographers from around the world, was announced yesterday. He is Alain Schroeder, a Belgian photojournalist, who had entered a black-and-white portfolio of startling images of the rituals that follow a death in Toraja, Indonesia, where corpses are mummified and kept at home before a funeral; and a colour portfolio featuring wrestlers in Kushti, India. For a full list of the winning entries in all categories, see the TPOTY website. In the image below, two brothers, Micha from Jakarta and Misi from Makassar, embrace their father, Tumaang, and their mother, Rara. Picture © Alain Schroeder/TPOTY.COM.

Travel books of 2017

The following are some of my favourite travel books of the year, plus coffee-table books that would make good Christmas presents for travellers. One of the objectives of Deskbound Traveller (see the “About” page) is to broaden notions of what constitutes travel writing, so you will find here a collection of poetry plus a work (Among the Summer Snows) that others might label “nature writing”. The books are in no particular order — though the first two mentioned are especially timely. I’ve already reviewed many of them on this site and/or in the pages of The Daily Telegraph.
 
Border: A Journey to the Edge of Europe by Kapka Kassabova (Granta, £14.99) 
The border of the title is the zone where Bulgaria, Greece and Turkey run into one another, which in Cold War days was “Europe’s southernmost Iron Curtain”. Twenty-five years after leaving Bulgaria, where she grew up under communism, Kassabova returns to see what has become of the villages and towns that were military strongholds, the rivers and forests that were off limits.
  Her account is about fences both on the ground and in the head; about the frontiers between the real and the imagined, between the scientifically proven and the remotely possible. There are happenings that might be from the pages of García Márquez and there’s a cast of characters that wouldn’t disgrace Dickens: border guards and people smugglers, refugees and ritual fire-walkers, spymasters who have retired and faith healers who are never out of work. Border is not just a topical book but an urgent one, for it spells out the human consequences of nationalism and totalitarianism; of a narrow focus on identity and ethnicity; of divisions and fences and walls designed to keep “them” from “us”.
 
The Rule of the Land by Garrett Carr (Faber & Faber, £13.99)
In the run-up to that referendum on EU membership, Carr, who is a mapmaker as well as a writer, walked and canoed the currently barely noticeable division between Northern Ireland and the Republic of Ireland. It’s a border that, since the signing of the Good Friday Agreement in 1998, has lost watchtowers and bunkers and softened. Post Brexit, though, it will be not just an Irish frontier but a European one, and no one seems to know how that can be made to work. Carr suggests that Ireland is more divided than any of us suspected — not in two but in three: north, south and borderland. That third state, with its frontier-slipping people, springs to life in his pages.
 
Where the Wild Winds Are by Nick Hunt (Nicholas Brealey, £16.99)
All travelling, Nick Hunt argues, is an act of following something: coastline, trading route, border — or footprints, as he did for his debut, retracing the 1930s walk of Patrick Leigh Fermor from the Hook of Holland to the Golden Horn. He decided to follow four named winds across Europe because their routes seemed to be the only ones that hadn’t been written-out. There are reasons for this, the obvious one being that it’s damned hard to describe the invisible. And what do you do if the wind doesn’t blow? Hunt, on his journey through landscape and legend, science and superstition, proves more than equal to the challenge. He dares, and he wins.
 
Among the Summer Snows by Christopher Nicholson (September Books, £14.99)
Christopher Nicholson admits that “Snow has no quantifiable value; if you hold a piece in your hands it soon tells you what it’s worth by turning to water and running away.” For him, though, its survival in the Highlands in summer, its rareness and improbability, has become a singular passion. He chronicles walks on which he seeks it out under cliffs and crags, in clefts and corries, and ponders its meaning. A glorious little book (just over 160 pages), beautifully produced by an independent publisher. 
 
Islander by Patrick Barkham (Granta,
£20)
Inspired by a DH Lawrence short story about a rich idealist seeking peace on successively smaller islands, Barkham travels through 11 outposts of the British Isles, moving from large to medium to tiny, in pursuit of “the essence of what it is to be an islander”. It’s an illuminating and instructive tour d’horizon, one that could be read with profit by MSPs currently considering a Bill designed to ensure a sustainable future for Scotland’s islands. Snappy, too: Scilly is memorably summed up as “a small archipelago mostly owned by the Duchy of Cornwall; struggling to make its way in the modern world, permanently obscured by forecasters’ bottoms on the weather map of Britain.”
 
The Promised Land: Poems from Itinerant Life by André Naffis-Sahely (Penguin, £7.99)
Billy Collins, former poet laureate of the United States, says that most of his work is voiced by a reclusive fellow who likes to look out the window: “I do quite a bit of travel, but I keep writing poems about the bird-feeder.” If André Naffis-Sahely is looking out a window, it’s likely to be on a train or a plane. He’s a travelling poet, a border-crossing bard. This impressive first collection, in which he takes us from his birthplace of Venice to Abu Dhabi, where he grew up, and then from London to North America, is both an admission of wanderlust and an acknowledgment of the insecurities it brings. 
 
Wildlife Photographer of the Year: Portfolio 27 (Natural History Museum, £25)
As Lewis Blackwell, chair of the judges, puts it, the pictures his team have selected, 100 from nearly 49,000 entries, constitute “a book of wonders…and sometimes horror”. The wonders  include a lobster larva, just half an inch across, perched like a jockey on a stinger jellyfish; two bear cubs, eyes on the salmon in their mother’s mouth, waiting for their share; and an image of the lower nine-tenths of an iceberg dwarfing a team of divers, made over three days and of 147 frames stitched together. Among the horrors are the winning image, of a black rhino — a species critically endangered — lying in a park in South Africa after being shot and having its horns hacked off.
 
Dronescapes: The New Aerial Photography from Dronestagram Edited by Ayperi Karabuda Ecer (Thames & Hudson, £24.95) 
Aerial photography is not exactly new: the photographer known as “Nadar” (Gaspard-Félix Tournachon) went up in a balloon to document the rooflines of the French village of Petit-Bicêtre in 1858. But it has never been as  widespread or as cheap to practise as it is today, thanks to the development of the drone and the quadcopter. This book is a collection of the best images submitted to the website Dronestagram, set up in 2013 by another French pioneer, the entrepreneur Eric Dupin. Embracing locations from Antarctica to Vietnam, and subjects from wildlife to weddings, it is curated by the renowned picture editor Ayperi Karabuda Ecer, who doesn’t dodge the question of the threat posed by drones to privacy, safety and security.
 
Landscape Photographer of the Year: Collection 11 (AA Publishing, £25)
All winning and commended entries in the annual competition for the best photographs of the British landscape are included in this 224-page book, along with the photographers’ accounts of how their images were made. Among the customary reports of repeated visits, early-morning climbs and frozen fingers, there are references to “flying over the field” or “up to 100 metres”. A striking number of entries were taken using drones, revealing, for example, trees planted in such a way that they  form a giant “X” and fields that look like circuit boards.
 
Travel Photographer of the Year: Journey Nine (TPOTY, £9.95) 
One of the two portfolios that won Joel Santos, from Portugal, the title of Travel Photographer of the Year 2016 — depicting the landscapes of Ethiopia’s Danakil Depression — was the first TPOTY winner to be shot using a drone-mounted camera. The other, a series of portraits of a Ghanaian fisherman, was from ground — or, rather, water — level. Both are included here, with the best of the work submitted by professional and amateur photographers from more than 120 countries, ranging in subject from desert dunes in Egypt to a snow storm in New York; from a Cuban taxi driver to Sámi reindeer racers. 
 
Afghanistan by Steve McCurry (Taschen, £59.99) 
McCurry, whose portrait of the green-eyed refugee “Afghan Girl” is one of the best-known images of 20th-century photography, has been travelling regularly to Afghanistan since 1979, when he documented the fight of the mujahideen against a pro-Soviet government. This book gathers the best of his work over more than 40 years in a country at war and at uneasy peace: the boys toting Kalashnikovs and the girls juggling tennis balls; the bombed buildings and the roadside barbers. As William Dalrymple notes in an afterword, “it is a testament to McCurry’s longstanding love of Afghanistan, his solidarity with its people, and his commitment to recording their wondrous diversity. The book also stands as a peerless record of the Afghan landscape and its magnificent buildings.”
 
Journey: An Illustrated History of Travel (Dorling Kindersley, £25) 
This survey of mankind on the move, which starts with the ancient world and finishes with the age of flight, has already been overtaken by events. Its consideration of forced movements ends with the Second World War, but by the end of 2016 the number of people seeking safety across international borders as refugees had topped 22.5 million, the highest number seen since the UN High Commission for Refugees was founded in 1950. Otherwise, apart from a slightly tabloid tone (“Carthaginian general Hannibal Barca”), it’s a beautifully produced introduction, embracing everything from the trading voyages of the Minoans to the Hippie Trail, with digressions on topics from slave ships to souvenirs.
 
Chasing Light by Stefan Forster (te Neues, £29.95) 
At 18, Stefan Forster, who is Swiss, set off with his first camera, a tent, a sleeping bag and 13 days’ provisions to photograph the southern plateau of Iceland. In the 10 years or so since he has kayaked along the west coast of Greenland, camped in the forests of Alaska and Canada, and come close to being killed by a volcano in Indonesia.
  With this book, which includes landscape, wildlife and astounding images of the northern lights, he hopes to “demonstrate to all beholders the wonders of our planet, and to show what needs protecting.”
 
  As one of my aims on this site is to promote not just what’s topical but what’s timelessly good, let me remind you of one of my favourite books from 2013: Four Fields by Tim Dee (now in Vintage paperback); you can still read an extract on Deskbound Traveller
 
* A shorter version of this roundup appeared in the travel section of The Daily Telegraph 

McCurry on reading

onreadingThe photographer Steve McCurry, whose “Afghan Girl” is one of the best-known images of the past century, talked to Mariella Frostrup yesterday for Radio 4’s Open Book. (Frostrup, in her introduction, refers to the Afghan girl’s having “piercing blue eyes”; they are indeed piercing, but they are green.)

In 40 years as a photographer, McCurry has travelled the world. In his latest collection of pictures, On Reading (Phaidon), he photographs people —  in more than 30 countries — being transported by turning pages. As Paul Theroux puts it in his introduction, “there is always something luminous in the face of a person in the act of reading.”

The Open Book episode is now available on the BBC iPlayer. McCurry’s contribution starts 19 minutes, 55 seconds in, after Frostrup’s interview with the Israeli novelist David Grossman.

Travel Photographer of the Year interview

My interview for Telegraph Travel with Marsel van Oosten, the Travel Photographer of the Year, went online shortly after my earlier post.  You can read a fuller version here on Deskbound Traveller. The exhibition of the best entries to the competition opens on Friday (July 22).

Meet the Travel Photographer of the Year

marsel&meerkatThe Travel Photographer of the Year exhibition, featuring the best entries to the annual competition, opens this Friday at a new London venue in Greenwich. My piece on the overall winner, Marsel van Oosten, was in the print section of Telegraph Travel on Saturday but isn’t yet online.

You can read a fuller version of our interview — in which he talks about tigers in Africa, landscape in Louisiana and the difficulties of being a nature photographer in the age of GPS and social media — here on Deskbound Traveller.

Transported to Louisiana

TPOTY 2015Picture © Marsel van Oosten

Pictures of Louisiana (including the one above) are part of a portfolio with which Marsel van Oosten, a Dutch nature photographer, has just won the Travel Photographer of the Year competition. They put me in mind of the work of James Lee Burke, who in his novels about Detective Dave Robicheaux conjures a world in which you can smell the bayou and all but taste the po’boy sandwiches. They reminded me, too, of a programme broadcast earlier this year in the “Crossing Continents” slot on Radio 4 by James Fletcher. It’s about erosion of wetlands in southern Louisiana caused by the taming of the Mississippi and oil and gas exploration. A football field of coastal land is being washed away every hour.

On the scent of coffee

Coffee country seems to be flavour of the year among documentary photographers. A few months ago, Steve McCurry published From These Hands: A Journey Along the Coffee Trail (Phaidon), for which he travelled from the foothills of the Andes to the slopes of Kilimanjaro, through eight countries and four continents, to record landscape, labour and life away from the fields.

At the end of this month, Sebastião Salgado, a native of one of Brazil’s biggest coffee-growing regions, will present his own take on the trade — in black and white, as usual — in The Scent of a Dream: Travels in the World of Coffee (Abrams).

palacesofmemoryJKTAnd today, Stuart Freedman — who’s a little younger than these veterans (he was born in London in 1967 and has been a photographer since 1991) — publishes The Palaces of Memory: Tales from the Indian Coffee House (Dewi Lewis), for which he visited more than 30 of a network of worker-owned cafes in cities throughout the subcontinent. The Coffee Houses, he says, “were an echo of the cafes — greasy spoons, really — that I grew up with in the Hackney of my childhood in east London. They spoke to me in a way of the faded hopes and dreams but also of the poetry and politics that were discussed. I always visit the one on College Street in Kolkata for the history and the one in Shimla for the impressive gathering of old men who will inevitably drag you to their table and invite your opinions on just about anything.” While he was still raising money for the project, he told the online journal Roads & Kingdoms what had inspired him.

Picturing the landscape

In his Guardian piece last weekend, Robert Macfarlane (see earlier post) mentioned a forthcoming book by the photographer Dominick Tyler, a visual glossary of the British landscape.  Tyler was inspired by Home Ground, the project in which Barry Lopez recruited his fellow writers to provide “language for an American landscape”. Tyler had no intention, however, of attempting to produce an encyclopaedia. “A definitive glossary,” he says, “would contain many dull pictures of fascinating things and many fascinating pictures of dull things”. So in his book, Uncommon Ground, he has been selective, choosing features or phenomena – from ait to zawn – that make for powerful pairings of  pictures and words. The book won’t be published (by Guardian Books/Faber and Faber) until March 19, but you can get some sense of his approach from his promotional video.

Salgado back in London


If you were lucky enough to see the exhibition “Genesis” by Sebastião Salgado earlier this year at the Natural History Museum in London, you will know it was a powerful reminder of the power of black-and-white photography.  Pictures from that project, plus others from his 40-year career, can be seen in a new show opening at the Beetles and Huxley gallery in London on Wednesday. For details, see my piece for Telegraph Travel.