Places Archive

Place and travel at Faversham festival

This month’s Faversham Literary Festival, in Kent (February 21-24), will have contributions from writers touching on place and travel. Among them are Tim Dee, author most recently of Landfill; Iain Sinclair, who in Living With Buildings explores the relationship between our health and the built environment; Hugh Warwick, whose Linescapes offers a “hedgehog’s-eye view of the country’s ditches, dykes and railways”; Horatio Clare, who has recently recreated on radio and in print (Something of His Art) a walk taken by JS Bach across northern Germany in 1705; Melissa Harrison, whose acclaimed novel, Among the Barley, is set in a Suffolk farming community between the wars; and Nasrin Parvaz and Lucy Popescu, discussing the experiences of refugees and migrants.

RSL Ondaatje winners to summon ‘spirit of place’

Deskbound Traveller has now been doing its bit to promote the best writing on travel and place for more than five years. If you’ve been reading it even for a little of that time, you might know that one of my favourite literary awards is the Ondaatje Prize of the Royal Society of Literature. It’s an annual prize of £10,000, made for a work of fiction, non-fiction or poetry that “evokes the spirit of a place”. The Ondaatje — sponsored by Sir Christopher Ondaatje, the businessman, adventurer and writer — has been going a little longer than this site, and in 2019, 15 years on from the first award, the society is adding a few frills.

  For the first time, there will be a long list, which will be published on March 26. A short list (it’s usually of six books) will follow on April 16, after an event at the British Library, in London, where four previous winners will speak on “the challenges and delights” of trying to summon the spirit of a place. The writers are Pascale Petit, who last year became the first poet to win, with Mama Amazonica, which tells the story of her mother’s mental illness and her own damaged childhood while celebrating the fragile beauty of the rainforest; Peter Pomerantsev, whose Nothing is True and Everything is Possible is an electrifying portrait of Putin’s Russia; Alan Johnson, former Home Secretary, whose This Boy is a memoir of poverty in post-war London; and Hisham Matar, whose debut novel, In the Country of Men, is narrated by another boy, one growing up under the repression of Gaddafi’s Libya.

  The event will be chaired by the presenter Eleanor Rosamund Barraclough and broadcast by Radio 3’s Free Thinking programme and available as an Arts & Ideas podcast. Members of the RSL may book through the society’s website; non-members will be able to book through the British Library site from March 8.

  The judges for this year’s prize are Sabrina Mahfouz, Michèle Roberts and Ian Thomson (who in 2010 won not only the Ondaatje but also the Dolman Travel Book Award for The Dead Yard: Tales of Modern Jamaica). The winner will be announced, as usual, at a dinner in the Travellers’ Club in London, to be held on May 13.

Chatwin and the invented journey

Jan Morris resists the label of “travel writer”, according to her long-time agent, Derek Johns, because she rarely goes on journeys: “her writings [have] generally involved going to a place (usually a city) checking into a hotel, and then simply staying put and observing the scene”. She has, though, graciously accepted awards for travel writing when she has been judged to have won them. 

Bruce Chatwin had difficulties with the same label. Chatwin died 30 years ago last week (January 18), and mention of the anniversary on Twitter directed me to an interview on the website Five Books with his biographer, Nicholas Shakespeare. Shakespeare says:

[Chatwin] was furious when The Songlines was nominated for the Thomas Cook Travel Award, and demanded that his publisher withdraw it. ‘The journey it describes is an invented journey, it is not a travel book in the generally accepted sense.’ Indeed, The Songlines was published as a novel. But even that was a misnomer.

He was a storyteller first. ‘I’ve always loved telling stories,’ he told Colin Thubron. ‘It’s telling stories for what it’s worth. Everyone says: “Are you writing a novel?” No, I’m writing a story and I do rather insist that things must be called stories. That seems to me to be what they are. I don’t quite know the meaning of the word novel.’ And in telling stories, he didn’t care so much if they were true or false, only if they were good. For Chatwin, a good story was also in a real sense a true story. I like to say that he didn’t tell a half-truth, but a truth and a half.

How Gunnar helped make the Canyon Grand

‘View from Yaki Point’ by Gunnar Widforss. Courtesy the Gunnar Widforss Catalogue Raisonné Project

It’s nearly a century (February 26, 1919) since the Grand Canyon became a national park. One of the people who did most to promote it in its early days was a Swedish watercolour painter, Gunnar Widforss, and to mark the anniversary I’ve been following the Widforss trail for Telegraph Travel. It was a book that prompted my pilgrimage: The Art of Flying by Fredrik Sjöberg, another Swede. You can read an extract from that on Deskbound Traveller. To find out more about the artist, see the Gunnar Widforss Catalogue Raisonné Project, established by Alan Petersen, curator of fine arts at the Museum of Northern Arizona, Flagstaff.

“100 Years of Grand”, a project of Arizona State University, Northern Arizona University and Grand Canyon National Park, brings together thousand of photographs, documents and correspondence relating to the park’s history.

With Atkins in the desert

William Atkins, whose The Immeasurable World (Faber & Faber) was short-listed last week for the Stanford Dolman Prize, will be talking at the Royal Geographical Society in London on Monday, February 4 (members only), about deserts and their grip on the imagination.  

Burke on books

Until April 2018, I’d never set foot in New Orleans, but I’d travelled there — and to other parts of Louisiana — countless times in the pages of the great James Lee Burke. Burke’s latest Detective Robicheaux story, The New Iberia Blues, is due out on January 10, and the author has been talking to The New York Times about his own reading, how he got hooked on crime fiction and what makes a good mystery.

Travel books of 2018

The following are my favourite books on travel and place published this year, plus coffee-table books that would make good Christmas presents for travellers. A shorter version appears in print in today’s Sunday Telegraph and online.
  I compiled my roundup for Telegraph Travel towards the end of November, since when there have been some late but notable arrivals, including a couple I mentioned last week, from Horatio Clare and David Grann.
  I’ve reviewed most of the travel books for The Daily Telegraph (and you’ll find more about them here on Deskbound Traveller), but not the first two mentioned below. Coincidentally, they are from the same publisher, and from writers based in North America. While I was checking when Lands of Lost Borders would appear in Britain (it came out in October), I found a note on Chesapeake Requiem (not as yet published on this side of the pond but available, of course, online). 

 

WORDS

Lands of Lost Borders: A Journey on the Silk Road by Kate Harris (Dey St/HarperCollins, £20)
Kate Harris, an academic high-flyer from Canada, had ambitions to be an astronaut, then decided there was exploring enough to be done on planet Earth. Her account of cycling the Silk Road has given me more pleasure than most travel books — no: make that most books — I’ve read this year. Lands of Lost Borders is about frontiers and breaking through them. On the road, Harris, who is in her mid-thirties, pedals with a childhood friend to places where authorities don’t want her to go, including Tibet. On the page, she flits easily across supposed boundaries between travelogue and memoir, science and poetry. The result is a marvellous debut by a wanderer and wonderer, an author with boundless curiosity and a zest for life that enthuses every page.

Chesapeake Requiem by Earl Swift (Dey St — US publication, various prices online)
This is a story of a small and singular place seeing changes that will soon affect the whole world. At the broadest point of the Chesapeake Bay, “at the mercy of nature’s wildest whims”, sits Tangier Island, whose inhabitants for generations have harvested crabs and oysters. The very water that sustains their community — one of 470 conservative and deeply religious people — is also slowly erasing it. Scientists say that the island, which has lost two thirds of its land since 1850, could become the first American town to fall victim to rising sea levels caused by climate change; the locals say the problem is erosion. Swift lived among the islanders, and his account, at once affectionate and inquiring, is a superb piece of reporting.

Skybound: A Journey in Flight by Rebecca Loncraine (Picador, £16.99)
Two years after being diagnosed (at 35) with breast cancer, Rebecca Loncraine passed a gliding club and found herself booking a lesson for the next day. “I needed something new, something big and intense,” she said. “I wanted to live boldly as it might not be for very long.” Gliding provided that something, and her “private love letters to the wind” were the origin of Skybound, which she had all but finished when — cancer having returned in her abdomen — she died in September 2016. It’s an extraordinary book, one in which the writer, for whom the world had closed down, feels it reopen, and carries the reader up on the thermals with her.

Kings of the Yukon: An Alaskan River Journey by Adam Weymouth (Particular Books, £16.99)
Adam Weymouth paddled an 18ft glass-fibre canoe down the Yukon, almost 2,000 miles through Canada and Alaska, to the Bering Sea. His account of that journey is so assured, so accomplished, that I found it hard to believe it was his first book. He hoped he could explain the decline in numbers of king salmon and show how the lives of those who depend on the fish are changing. If he is frustrated in his first objective, he succeeds fully in his second, in his tracing of the relationship between fish and people, and “of the imprint that one leaves on the other”. It’s a story about a sparsely populated place but one that’s rich in characters, and it’s beautifully written.

Ground Work: Writings on Places and People edited by Tim Dee (Jonathan Cape, £16.99)
The places celebrated here range from a railed-in London park, by way of Clifton Suspension Bridge, to the deep woods of eastern Finland. Dee’s contributors remind us of the harm we have done to everything from whales to house sparrows, but also of the good we could yet do through organisations such as Common Ground, which seeks “imaginative ways to engage people with their local environment” and which will benefit from the proceeds of this absorbing anthology. It’s a book that’s as much about the marks places leave on us as we leave on them. It offers succour rather than — in the editor’s own phrase — “sunset songs”.

God Save Texas by Lawrence Wright (Allen Lane, £20)
How could a prize-winning liberal writer possibly feel at home in the heart of Trumpland? In God Save Texas, Lawrence Wright tries to provide an answer to a question he is often asked by friends and colleagues. In the process, he offers a fascinating, multi-layered portrait of the Lone Star State. If it’s unlikely to persuade those friends and colleagues to follow his lead and relocate, it will certainly surprise them. Houston, for example, accepts more refugees than any city in the United States; and at the last count (2010) Texas had the largest number of Muslim adherents in the country.

The Crossway by Guy Stagg (Picador, £16.99)
Guy Stagg, who is an atheist and “not much of a walker”, quit his job in his mid-twenties (on The Daily Telegraph) and set out in 2013 to make a pilgrimage of more than 3,440 miles (5,500 km) from Canterbury to Jerusalem. His hope was that he could mend himself after mental illness. The Crossway was blistering to write, in more ways than one, but is beautiful to read. It’s proof that you can still cross a continent in the manner of a medieval pilgrim — even an unbelieving one — and throw yourself confidently on the charity of others. I finished it certain that the author, though he tortures himself about his own worth, is hugely talented, and hoping, too, that he has retained a measure of the peace he found on the road.

The Immeasurable World by William Atkins (Faber & Faber, £20)
In his follow-up to The Moor, Atkins turns his attention to the desert, which has, at various times and in various cultures, been seen as a realm of demonic temptation and a monkish retreat, a proving ground for explorers and pioneers, a prison for criminals and dissidents, a “wasteland” for the testing of nuclear weapons, and an ideal venue for what Atkins calls “the most excessive party on earth”: the annual Burning Man festival, where last year 70,000 people made a spectacle of themselves on a dry lakebed in Nevada. The desert, as this subtle and quietly powerful book demonstrates, can be whatever the mind makes of it.

The Debatable Land by Graham Robb (Picador, £20)
This history of a territory that once straddled borders, that was neither Scottish nor English, is both a scholarly work of revisionism and an entertaining read. Robb and his wife are keen cyclists, and his book was researched as much on the road as in the library. One of the pleasures of reading it is to watch the author, like a frontier-dodging reiver (or robber), slip so easily between past and present, between manuscript and moor, between battlefield site and the 127 bus (“a transnational village hall on wheels”).

 

PICTURES

Steve McCurry: A Life in Pictures by Bonnie McCurry (Laurence King, £50)
Steve McCurry was a traveller before he was a photographer. Even as a child, his sister says, he was “hopping trains to forbidden places”, exhibiting the independent streak that would one day send him trekking with mujahideen fighters into the Panjshir Valley of Afghanistan. His career is hardly undocumented (Untold, recounting the stories behind images such as “The Afghan Girl”, appeared as recently as 2013), but this volume, compiled and written by Bonnie McCurry, a retired teacher who manages his office, is revealing of the forces that shaped him early on. It’s frank as well as fond, and its 350-or-so images include about 100 that have never previously been published.

Born to Ice by Paul Nicklen (teNeues, £80)
Born to Ice, says the actor and environmental campaigner Leonardo DiCaprio in a foreword, “showcases the life’s work of an artist whose love of the landscape, and each animal in it, is so palpable that emotion echoes through every image.” The title is as true of the photographer as it is of the subjects he captures in glorious images from the polar regions. Nicklen grew up in Baffin Island, Canada. Having studied to be a wildlife biologist, he tired of encounters with animals that produced nothing but data sheets, and quit at 26 to see if he could make a go of photography. He packed 600lb of equipment, including two tents, and had a pilot drop him in the high Arctic for three months. “The view through my lens is now your view,” he says. “Their world is now our shared world… let’s work together to protect it.”

African Twilight by Carol Beckwith & Angela Fisher (Rizzoli, £115)
No continent is urbanising faster than Africa. The rush to the towns is a theme for many photographers, but what interests Carol Beckwith and Angela Fisher is what’s being lost in the process. Their African Ceremonies (1999), documenting traditional rites and rituals in 26 countries, won a UN Award for Excellence. African Twilight, another fascinating two-volume study that has been 12 years in the making, completes their journey. It includes ceremonies in the Democratic Republic of the Congo — which they couldn’t enter earlier — and the coronation of the voodoo king in Ouidah, Benin, a once-in-a-generation happening. Forty per cent of what they document here, they say, has already vanished.

Wildlife Photographer of the Year: Portfolio 28 (Natural History Museum, £25)
Among the 100 wonderful images in this book, chosen from some 45,000 entries from 95 countries, are many exploiting innovations in equipment. Pictures taken from drones feature for the first time (though the judges are mindful of the disturbance such devices can cause) and camera-trap shots show animals within the panorama of their environments. But professionalism, patience and a measure of luck are still more important than technology. Sue Forbes spent days scanning rough seas in the Indian Ocean before she got her reward: a single frame enclosing both a bird (a red-footed booby) and a fish in flight.

Landscape Photographer of the Year: Collection 12 (AA Publishing, £25)
When he dreamed up his competition more than 12 years ago, Charlie Waite says in his foreword, he had “the possibly high-flown notion” that the winning photography and resulting books would become a record of their times. This year’s certainly reflects the weather. Captions refer to Storms Brian and Ophelia and the “Beast from the East”; subjects include kayakers breaking ice on Loch Ba, on Rannoch Moor; snow-covered Surrey farmland, photographed with a drone and looking like a circuit board; and the Seven Sisters in East Sussex, with the sea seemingly as white as the cliffs. The annual book, incidentally, must be one of the few things that hasn’t risen in price in 12 years.  A bargain.

The Grand Canyon: Between River and Rim by Pete McBride (Rizzoli, £40)
Some 5.9 million people a year visit the Grand Canyon, but fewer than a dozen have walked it from end to end, a journey-without-trails of some 750 miles. The photographer Pete McBride did so with his friend Kevin Fedarko, a writer and former river guide in Grand Canyon National Park. With the park’s centenary approaching, they share what they found in the canyon’s remote ribs, and report on the continuing struggle between conservation and exploitation (they logged 363 helicopter flights in the space of eight hours). As McBride puts it, “If we cannot protect this space, the seventh natural wonder of the world, what can we protect?”

 

WORDS AND PICTURES

The Writer’s Map: An Atlas of Imaginary Lands edited by Huw Lewis-Jones (Thames & Hudson, £29.95)
Oscar Wilde declared that “A map of the world that does not include Utopia is not worth even glancing at.” Huw Lewis-Jones’s beautifully produced compendium takes in everything from Utopia, charted for Thomas More’s satire of 1516, to Westeros, a continent in that swords-and-sorcery series Game of Thrones. It shows how writers of the past created worlds that have inspired writers of the present, from Joanne Harris to Robert Macfarlane. It’s a reminder that a map is far more than a means of plotting a route. Like a book, it can transport you. It can work magic.

Bookmark: travel at October’s festivals

Cheltenham is the festival to head for in October if you want to pack a lot of vicarious travelling into 10 days. These are some sessions from the programme touching on travel, place and nature…

Cheltenham Literature Festival (October 5-14) 

In “Reading Europe: A User’s Guide”, the novelist Sebastian Faulks assembles a crack team of translators, writers and publishers committed to getting us to read beyond our borders: the novelist and Man Booker International judge Elif Shafak, the acclaimed translator Daniel Hahn, the European literature specialist Rosie Goldsmith and the publisher Christopher MacLehose, who has introduced British readers to authors as diverse as Javier Marías and Stieg Larsson. 

   Guy Stagg (The Crossway), who walked 3,440 miles from Canterbury to Jerusalem in the hope of mending himself after mental illness, and Leon McCarron (The Land Beyond), who travelled 1,000 miles on foot through the Middle East, discuss with Julia Wheeler the transformative power of walking and what role pilgrimage and slow travel have in our contemporary turbulent world.

  Peter Moore, author of Endeavour: The Ship and Attitude That Changed the World, and Laura Walker, co-curator of the celebrated British Library exhibition James Cook: The Voyages, join Steven Gale to discuss Cook’s remarkable journeys.

  Malachy Tallack (The Valley at the Centre of the World) and Melissa Harrison (All Among the Barley) discuss with Julia Wheeler their much-praised renderings of the natural world.

  Sulaiman Addonia (Silence Is My Mother Tongue), a novelist who fled Eritrea as a refugee in childhood, and Olivier Kugler (Escaping War and Waves), a reportage illustrator who has worked with Médecins Sans Frontières, join Lliana Bird (radio presenter and co-founder of the charities Help Refugees and The Kindly Collective) to share their stories of encounters with refugees.

  In “Windrush Journeys: Mixtape Stories”, Anthony Joseph, Nick Makoha and Roger Robinson offer a night of poetry and prose, music and image. They tell public and private stories of the lives of those who have come from elsewhere but who have all, for better or worse, called Britain “home”.

  The television presenter Kate Humble talks about Thinking on My Feet, her  new celebration of the pleasures of walking.

  All roads used to lead to Rome. Today, we’re told, they lead to Beijing. Peter Frankopan, author of The Silk Roads, brings the story of his 2015 global bestseller up to date, and reminds us that we live in a profoundly interconnected world. 

  The singer-songwriter Nick Harper presents “A Wiltshire Tale”, a journey through his home county’s history, landscape and wildlife in poetry, spoken word and acoustic music.

  The poet Helen Mort, editor of Waymaking, and some of her contributors share their crowd-funded anthology of prose, poetry and artwork created by women and inspired by wild places, and discuss how we can get more women both out in the wild and on to the page.

  Anna McNuff (The Pants of Perspective: One Woman’s 3,000km Running Adventure Through the Wilds of New Zealand) and Phoebe Smith (Wilderness Weekends; Extreme Sleeps; and Wild Nights: Camping Britain’s Extremes) discuss breaking down the barriers facing women in the outdoors and offer practical tips for building an adventurous life.

  Jan Morris, who has been one of the great chroniclers of our world for well over half a century, looks back on a life of travel and words in a special pre-filmed interview complemented by live discussion from her son Twm Morys and the writer Paul Clements plus a musical performance by Tym and the Welsh singer Gwyneth Glyn. Chaired by Philip Collins.

  Julian Sayarer, whose Interstate: Hitchhiking Though the State of a Nation was 2016 Stanford Dolman Travel Book of the Year, and Tim Moore, whose latest  book, Another Fine Mess: Across Trumpland in a Model T Ford, is due out in November, discuss with Georgina Godwin their unconventional journeys and taking the political temperature through encounters with everyday Americans.

   Other events featuring writing on travel, place and nature in October include the following:

Birmingham Literature Festival (October 4-14)

In a session on “The Call of the Wild”, Abi Andrews (author of The Word for Woman Is Wilderness), Katharine Norbury (author of The Fish Ladder and editor of a forthcoming anthology, Women on Nature) and the writer and gardener Alys Fowler (author most recently of Hidden Nature: A Voyage Of Discovery) discuss “the life-changing impact of travelling across lesser and greater spaces”. 

  Jasper Winn, author of Waterways, and Nancy Campbell, the current Canal Laureate (appointed by the Poetry Society and the Canal & River Trust), share their passion for Britain’s canals. 

  David Lindo, author of How to Be an Urban Birder, and Kate Bradbury, author of The Bumblebee Flies Anyway, discuss “the new nature writing” and finding inspiration in urban settings.

  Hometown Tales, a new series from Weidenfeld & Nicolson, focuses on fiction and non-fiction from the regions, pairing in one volume a previously unpublished writer with an established one.  Maria Whatton, who has written Hometown Tales: Birmingham with Stewart Lee, and Kerry Young and Carolyn Sanderson, who share bylines on Hometown Tales: Midlands, will discuss their stories in a session chaired by the lecturer and author Anna Lawrence Peitroni. 

Yeovil Literary Festival (October 25-29)

Picture: © Shoot and Scribble

A talk by the globe-trotting adventurer Simon Reeve (left), whose memoir Step by Step: The Life in My Journeys has just been published, is sold out, but there are still tickets for the following:

  The illustrator Jackie Morris talks about The Lost Words, the book of “spells” she created with Robert Macfarlane, which has worked magic in encouraging children and their schools to reconnect with the natural world.

  The adventurer and explorer Benedict Allen tells “the whole unvarnished truth” of his expedition to Papua New Guinea, from which he was rescued by helicopter from a warzone, suffering both malaria and dengue fever.

  The film-maker David Parker presents “Laurie Lee: The Lost Recordings”, in which the writer, on his 80th birthday, shared memories of his early life; and “Flying Scotsman & The Golden Age of Steam”, with clips from Parker’s filming of a project to rebuild the locomotive.

Berwick upon Tweed Literary Festival (October 18-21) 

The journalist Neil Ansell talks about The Last Wilderness, based on a series of solitary walks in the Northwest Highlands in search of wildlife encounters, and explores the pleasures and pains of being isolated in the wilds.

Blenheim Palace Festival of Literature, Film & Music (October 11-14) 

Adam Sisman talks about More Dashing: Further Letters of Patrick Leigh Fermor, his second selection from the travel writer’s correspondence.

Borderlines Carlisle Book Festival (September 27 – October 7) 

Jim Crumley will talk about his new book, The Nature of Winter, and its predecessor, The Nature of Autumn, the first two volumes in a quartet based on thousands of hours of fieldwork. He will also present a workshop on nature writing, explaining “why it is literature’s problem child”, and why a healthy body of such work is essential in the 21st century.

  The writer and radio presenter Stuart Maconie will talk about Long Road from Jarrow, his account of the country he saw as he walked the 300 miles to London in 2016 in a retracing of the “Jarrow Crusade” of 1936.

  Graham Robb will talk about The Debatable Land, his story of a territory that once lay between Scotland and England, and of how contemporary nationalism and political turmoil threaten once again to unsettle the cross-border community.

Dorchester Literary Festival (October 17-21)

Jasper Winn will be talking about Waterways: A Thousand Miles on Britain’s Canals, and Tony Juniper  (campaigns director for the Worldwide Fund for Nature) about Rainforest: Dispatches from Earth’s Most Vital Frontlines.

Durham Book Festival (October 6-14)

Damian Le Bas discusses The Stopping Places, his account of what it means to be a Gypsy in Britain today.

Isle of Wight Literary Festival (October 11-14)

Robin Hanbury-Tenison talks about Finding Eden, his story of a year in the Borneo rainforest leading the team of scientists that launched the rainforest movement and his time with the Penan people, for whom he still campaigns as president of Survival International.

  Angus Roxburgh, who has been a foreign correspondent in Moscow for The Sunday Times and the BBC and a translator of Tolstoy, draws on his memoir  Moscow Calling to talk about Russia’s past and present.

  The writer and broadcaster Paul Heiney talks about One Wild Song, his account of the epic sailing trip he embarked on after his son’s suicide.

North Cornwall Book Festival (October 4-7)

Neil Ansell (see Berwick, above) talks to the historian Lisa Cooper about The Last Wilderness.

  Philip Hoare, who seems as much at home in water as on land, talks about RisingTideFallingStar, his compendium of human and animal stories of the sea, which was short-listed for last year’s Stanford Dolman Travel Book of the Year award.

  Horatio Clare, who has travelled on container ships and in pursuit of swallows, talks about Icebreaker, his account of a voyage to the far North. (Next month, Little Toller is due to publish Clare’s latest book, Something of his Art: Walking to Lübeck with JS Bach, in which he recreates a journey across northern Germany that the composer took in the winter of 1705.)

  Laurence Rose, former head of the RSPB’s European programme, introduces The Long Spring, in which he tracks the season’s progress from southern Spain to the Arctic. 

Off the Shelf Festival of Words, Sheffield (October 6-27)

Iain Sinclair talks about The Last London, which is billed as the final chapter in his life-long odyssey through the streets of the Big Smoke. 

  John Harrison reads from his first collection of short fiction for more than 15 years, You Should Come With Me Now, a work that his publishers say crosses boundaries between horror, science-fiction, fantasy and travel writing — “weird stories for weird times”.

  Richard Morris, author of Yorkshire: A Lyrical History of England’s Greatest County, tells how the county took shape as a place and an identity. 

  Kate Humble (see Cheltenham, above) talks about Thinking on My Feet.

  Helen Moat, author of Slow Travel: Peak District, introduces a guide with an emphasis on car-free travel.

Wells Festival of Literature (October 19-27)

Harriet Sandys introduces Beyond That Last Blue Mountain, the story of how she “abandoned her comfortable life in the suburbs of Cumbria and travelled to the North-West Frontier of Pakistan to see the plight of the Afghan refugees who settled there after the Soviet invasion of Afghanistan”.

Travel writing at September’s festivals

Events featuring writing on travel and place over the next couple of months include the following:

Cardiff Book Festival (September 7-9), where Angus Roxburgh and Trevor Fishlock, who have reported from Moscow for, respectively, the BBC and The Daily Telegraph, discuss modern Russia and “the good, the bad and the ugly side of being a foreign correspondent”. With Wales celebrating its coastline in 2018 with a “Year of the Sea”, Ifor ap Glyn, the National Poet, joins Dafydd Elis Thomas, the Culture Minister, and Lleucu Siencyn, chief executive of Literature Wales, to discuss what words and waves mean to the nation.

Wigtown Book Festival (September 21-30), where Aida Edemariam will tell how she immersed herself in the landscape of Ethiopia to write The Wife’s Tale, a biography of her grandmother, Yetemegnu, who was born in the northern city of Gondar and died five years ago aged nearly 100; Damian Le Bas tells of his journey through Gypsy Britain for The Stopping Places; Guy Stagg recalls his 10-month pilgrimage from Canterbury to Jerusalem, recounted in The Crossway; Nicholas Blincoe talks about the small but historic place he called home for 20 years, and whose history he has written in Bethlehem: Biography of a Town; Cameron McNeish, “who embodies Scotland’s love affair with the outdoors”, talks about a life in the mountains as recalled in There’s Always the Hills; and Tristan Gooley, “the Natural Navigator”, introduces his latest book, Wild Signs and Star Paths.

Marlborough Literature Festival (September 27-30), where Tim Dee will be talking about Ground Work: Writings on Places and People; Lois Pryce, author of Revolutionary Ride, will recall her adventures on a motorbike in Iran; and Aida Edemariam (see above) will be talking about The Wife’s Tale.

Ilkley Literature Festival (September 28-October 14), where William Atkins reports on his journeys in desert places for The Immeasurable World; Simon Lewis and Mark Maslin introduce their primer on a new geological age: The Human Planet: How We Created the Anthropocene; Paul Scraton (born in Lancashire but based in Berlin) reports on his journeys along the German Baltic coast for Ghosts on the Shore; Joshua Jelly-Schapiro talks about his book Island People: The Caribbean and the World; and Richard Morris argues that Yorkshire, as the subtitle of his new book has it, is “England’s Greatest County”.

Deserts, and what the mind makes of them

My review of The Immeasurable World (Faber & Faber), in which William Atkins explores deserts and what the human mind has made of them, appeared in the print edition of The Daily Telegraph today. You can read it here on Deskbound Traveller.