The novel on rails
Tim Parks, in The New York Review of Books, sees a “deep affinity between a book and a means of transport”…
But if some novels feel like supersonic flights and others like leisurely tours, there’s no doubt in my mind that the means of transport closest to the experience of written narrative is the train. On the plane, you are merely trapped in your seat and too distant from the land to have much experience of it. Aboard a steamer, you’re isolated in the monotony of the ocean. On a bus, you’re very much part of the traffic, in thrall to circumstance.
But on the train, there you are just a few feet above ground, close to the world as it dashes by, yet protected and separate from it; freed from responsibility, but invited to pay attention. Isn’t this exactly the experience of reading a book?